Posted: April 26, 2010, 11:20:41 AM
Sergio,
I liked the story concept, and especially the double intrigue, and the mechanisms by which the deadly activities are carried out.
As Mare stories go, this one is not bad; I've seen a few others that were a little weak by comparison (just my opinion) -- the ones that seemed to focus a bit too much on the setting or dialog and not as much on plot.
There is considerable ambiguity in the way the story ends; we don't know if the first character's virus has time to develop and become active before he meets his end. I like that; a good story doesn't always answer all the questions, and this one leaves us worried about the fate of our favorite bar. I won't be surprised if this incident gets mentioned in a subsequent Mare story.
I don't share Vila's opinion about the villain's lack of character traits; his internal thoughts prior to the meeting tell a lot, as he feels revulsion for just about everything and everyone in the place. Surely, with such a variety of life-forms in the bar, he'd find something admirable in at least one of them. This doesn't make him one-dimensional; since he still cares for the future of his own species, it rather shows him to be twisted, perhaps by a lifetime of hateful indoctrination.
Technically, the most notable glitches were the several places where the spacebar got hit in the wrong place. I think you also make too much use of bold and italic fonts; that much emphasis is unnecessary and even a little distracting. These devices are like exclamation points; use them very sparingly.
That says an awful lot, actually -- English is (I've heard) a difficult language to master if you didn't grow up with it, and you seem to understand its workings quite well.
I liked the story concept, and especially the double intrigue, and the mechanisms by which the deadly activities are carried out.
As Mare stories go, this one is not bad; I've seen a few others that were a little weak by comparison (just my opinion) -- the ones that seemed to focus a bit too much on the setting or dialog and not as much on plot.
There is considerable ambiguity in the way the story ends; we don't know if the first character's virus has time to develop and become active before he meets his end. I like that; a good story doesn't always answer all the questions, and this one leaves us worried about the fate of our favorite bar. I won't be surprised if this incident gets mentioned in a subsequent Mare story.
I don't share Vila's opinion about the villain's lack of character traits; his internal thoughts prior to the meeting tell a lot, as he feels revulsion for just about everything and everyone in the place. Surely, with such a variety of life-forms in the bar, he'd find something admirable in at least one of them. This doesn't make him one-dimensional; since he still cares for the future of his own species, it rather shows him to be twisted, perhaps by a lifetime of hateful indoctrination.
Technically, the most notable glitches were the several places where the spacebar got hit in the wrong place. I think you also make too much use of bold and italic fonts; that much emphasis is unnecessary and even a little distracting. These devices are like exclamation points; use them very sparingly.
That says an awful lot, actually -- English is (I've heard) a difficult language to master if you didn't grow up with it, and you seem to understand its workings quite well.